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Stimulate individual and
corporate creativity using Dr.
de Bono's powerful tools that
literally change the way you
think
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Workshop Objectives: |
To enable participants to be
Creative on Demand & use
Innovation to expand the
horizons of creative
thinking.
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Who
can benefit from Lateral
Thinking Training? |
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This rigorous course is
designed for Directors,
CEOs, GMs, Managers,
Executives & Professionals
who are looking for more
creativity in strategic
thinking, product
development, process
improvement, R&D, Marketing
etc., |
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Benefits: |
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Constructively Challenges
Current Thinking
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Find & build on the new
concept behind one idea to
create even more ideas
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Spark Creative Thinking by
using Random Words & Objects
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Select the best alternative
idea and implement it
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Turn problems into
Opportunities |
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Gain Contributions from the
whole organization using
idea-generating tools that
everyone can implement |
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Techniques in Lateral
Thinking |
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Alternatives - How to use
Concepts to Breed New Ideas
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Focus - When & How to Change
your Focus and improve your
creative efforts
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Challenge - Breaking Free
from the limits of accepted
ways of operating
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Random Entry - Using
unconnected input to open
new lines of thinking
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Provocation - Moving from a
provocation statement to
useful ideas |
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Harvesting - Selecting the
best ideas and reshaping
them |
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Treatment of Ideas |
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The Subject of "Creativity" |
Creativity is a messy and
confusing subject. Much of the
difficulty arises directly
from the words "creative" and
"creativity". At the simplest
level "creative" means
bringing into being something
that was not there before.
Understanding the need for
creativity in business and
industry today is the easy
part. Everyone is faced with
the need to create a new
product or service, solve a
problem, or have the leading
edge over the competitors.
Understanding the process of
creativity and how individuals
can learn skills to be
creative is what causes the
confusion. This creation
requires a special skill. The
Lateral Thinking program
teaches individuals creativity
and the skill of generating
ideas while using their
knowledge and experience.
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Lateral Thinking ™
and Dr. de Bono
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Dr. Edward de Bono is regarded
by many as the leading world
authority in the filed of
creativity. He is the inventor
of the phrase "Lateral
Thinking" which is now in the
Oxford English Dictionary. His
Lateral Thinking tools are
based directly on how the
brain functions as a self -
organizing information system.
He has worked for over thirty
years in the field with major
corporations all over the
world.
Here are some notes from Dr.
de Bono on the definition of
Lateral Thinking.
There are a number of ways of
describing or defining Lateral
Thinking.
"You cannot dig a hole in a
different place by digging the
same hole deeper".
"Lateral Thinking is for
changing concepts and
perceptions instead of trying
harder with the same concepts
and perceptions".
"In self-organizing
information systems,
asymmetric patterns are
formed. Lateral Thinking is a
method for cutting across from
one pattern to another".
In my writing and seminars, I
use the terms "lateral
thinking" and "creative
thinking" interchangeably
because creative thinking is
much more widely known. I
introduced the new term
"serious creativity" in my
book Serious creativity
(Harper Business, New York,
1992) in order to make a
distinction between formal
creative techniques and just
messing around and hoping that
an idea will happen.
The word "creative" in the
English language has a very
broad meaning and includes the
bringing into existence of
something new. We do not
accept creating a mess as
being creative because the new
thing is supposed to have
value. For example, artists
are creative because they
create new things that have
value. Yet many artists are
productive stylists who
produce within the same
perceptions and style of
expression. There may be very
little of the change in
perceptions and concepts that
is central to Lateral
Thinking.
So one of the reasons for
creating and using the term
"Lateral Thinking" is to
distinguish this kind of
artistic creativity from the
thinking involved in creating
new perceptions and new
concepts. There are, of
course, artists who also
change concepts and
perceptions and who do use
Lateral Thinking such. This
seems to particularly apply to
musicians in both popular and
classical music. There are
also playwrights, novelists,
architects, and others who
have used Lateral Thinking to
open up new concepts and
perceptions. Even so, the
Lateral Thinking course does
not pretend to turn a
participant into an artist.
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MISCONCEPTIONS ABOUT CREATIVE
THINKING |
Have you ever heard the
following?
"You have to be an artist to be
creative".
"Ideas have always happened."
"Creativity is a talent that
some people have and others do
not".
"Creativity comes from rebels".
"Being liberated is enough".
"Tools and techniques are
confining".
Here are some thoughts on these
misconceptions.
"YOU HAVE TO BE AN ARTIST TO BE
CREATIVE".
This is totally untrue. There
have been many creative
engineers, scientists,
financiers, entrepreneurs, etc.,
who have not been artists.
Creativity, and especially
Lateral Thinking, are also
concerned with changing
perceptions, concepts, and
ideas. In any situation where
perception and concepts are
important, creativity is also
important. That applies to most
situations.
Because artists are creative in
their own field does not mean
that they have a general skill
of creativity that can be
applied to any field. An artist
usually has the motivation to
try something new, and sometimes
the artist can provide an
"innocent" mind on a subject.
But it is certainly not true
that creativity is limited to
artists.
"IDEAS HAVE ALWAYS HAPPENED".
There is an attitude which say
that great new ideas have always
happened in different fields and
that they will continue to
happen from time to time. So
there is no need to pay special
attention to creativity. It is
enough just to wait for new
ideas to happen. A related
version of this says that new
ideas happen by evolution and
that this cannot be speeded up.
There is a story about the
origins of roast pork. It is
said that roast pork was
discovered when a pagoda burned
down in China and a pig in the
yard was also burned.
Pagodas will burn down from time
to time, but we do not have to
wait for such occasions to get
roast pork. We can roast pork
more directly whenever we
choose. In the same way new
ideas will continue to happen
from time to time, but we can
also seek to get ideas in a more
direct way through the use of
deliberate creativity. One does
not exclude the other.
"CREATIVITY IS A TALENT…."
This is a very traditional view
and one of the best excuses for
not doing anything about
creativity. It is true that some
people have a natural curiosity.
It is true that some people have
an active imagination. It is
true that some people are always
trying to change things. But all
these effects can also be
obtained through developing the
formal techniques of Lateral
Thinking.
If a number of people run a
race, someone will come in first
and someone second and someone
last. This is determined by
natural running ability. Ability
can be altered by coaching,
training, and fitness regimens.
If everyone who ran in this
first race is now given a set of
roller blades and it taught how
to use them, then everyone will
go farther in the same amount of
time. Someone will still come
first and someone last, but not
necessarily the same person as
before.
It is the same with creativity.
If we do nothing about it, then
we can only depend on natural
talent. But if we develop formal
techniques and offer training in
these techniques, then everyone
will be much more creative than
before. Some people will still
be more creative than others, as
with any acquired skill.
"CREATIVITY COMES FROM REBELS."
Rebels are creative because
rebels want to be different.
They are not much good at
playing the game everyone else
is playing. They may not even
want to play the game at all.
They want to play their own
game. This has been a good
starting point for creativity in
the past.
Today things are changing. We
are beginning to understand the
"game" of creativity. We can
understand how self - organizing
information systems form
asymmetric patterns and how we
can move across patterns. From
such an understanding comes the
formal tools of Lateral
Thinking. It may well be that
the conformists will also be
better at playing this new game
of creativity. The rebels will
not want to play this game and
may not be any good at it. So we
may have the very strange
paradox that the conformists may
actually become more creative
than the rebels.
Of course, the conformists have
to want to be creative. They
have to want to learn the game
of creativity, and they have to
want to play that game. The
rebels always have the
motivation to challenge and to
be different. So the conformists
can become creative but they
have to want to.
"BEING LIBERATED IS ENOUGH."
Many of the approaches to
creativity in North America are
based on the notion that
everyone is creative but is
inhibited. So the effort is
toward freeing people up and
liberating them so that they can
be creative. People are
encouraged to be playful and
childlike. Traditional
brainstorming itself is an
attempt to liberate people by
permitting them to say what they
like without fear of censure.
But this notion of liberation is
not enough.
An ordinary person tied up
tightly with a rope cannot play
a violin. That is obvious. But
if we now cut the rope, does
this make liberated person a
violinist? Cutting the rope is
indeed a necessary step but only
a small step. The person still
has to acquire the skill of
violin playing. It is the same
with creativity. Being liberated
may be a necessary step, but it
is by no means the whole
process. It is also necessary to
acquire creative skills. Indeed,
understanding the logic of
provocation achieves the same
effect as liberation.
The analogy comparing creativity
with the playfulness of children
is not a good one. Children have
the creativity of innocence
because their minds have not yet
formed many patterns. But the
minds of adults are full of
patterns, so the creativity of
innocence does not work. We have
to develop techniques for
getting out of these established
patterns.
"TOOLS AND TECHNIQUES ARE
CONFINING".
Some people protest that any
development of systematic tools
and techniques will be contrary
to the very nature of
creativity, which must be
"free". This shows a complete
misunderstanding of tools.
Language is a formal tool that
allows us to have and to express
creative thoughts. A ladder is a
tool that allows us to get to
places that might otherwise be
difficult to get to. A
carpenter's saw is a tool that
allows the carpenter to make
beautiful furniture. Mathematics
is a tool that allows us to
handle complex relationships.
Tools are liberating devices
that amplify our sklls and
enable us to do things that
would be very difficult to do
otherwise. A key is a formal
tool that allows us to escape
from a locked room. But the key
does not determine where we then
go.
In general, a lot of the
thinking about creativity is
very old - fashioned and much
influenced by notions of
artistic creativity. Too often
creativity is just seen as "being different" Creativity is
also seen as the opposite of
being formal. Yet music and
ballet are both creative and
formal at the same time.
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USING TOOLS AND TECHNIQUES |
Attitudes are fine, but tools
are more reliable. Many people
attempt to teach creativity by
encouraging attitudes of
"freedom" and "playfulness".
These attitudes may work in
the presence of the instructor
but are difficult to resurrect
later.
Tools are much more concrete.
Once you have built up skill
and confidence in the use of
the Lateral Thinking tools,
then you can apply these to
any situation at any time. You
do not have to wait until you
feel inspired.
It is sometimes argued that
tools are fine, but without
motivation tools never get
used. There are two approaches
here. You can motivate and
inspire people to be creative
and then teach them the tools.
Or you can teach them the
tools and when they find they
can use the tools and get new
ideas then they become
motivated to be creative.
That's because now they have
seen how it can be done and
how it works. The second
approach can be very
effective. People who have
never considered themselves to
be creative learn the Lateral
Thinking tools and surprise
themselves with their
creativity.
Over the years, many people
who are highly creative in
their own fields have said
they get the best ideas when
they use the Lateral Thinking
tools systematically. Such
people are never short of
ideas, but they surprise
themselves with a new idea
only when they use the tools
deliberately.
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At first, as a participant,
you may have to fight the urge
to start thinking of creative
ideas without bothering to use
the tools. The systematic
formality of the tools may
seem to slow you down at
first. It is easier to have
spontaneous ideas on a
subject. At first, the tools
will seem awkward to use.
Learning the tools is just
like learning to ride a
bicycle.
At first, riding a bicycle is
awkward, and you would get
there faster by walking. But
when you pick up the skills of
cycling, then it becomes
greatly superior to walking.
Do the Tools Work?
The tools laid out in this
course have been used over the
years by many different people
in different jobs and in
different cultures. The tools
do work and have produced
powerful results. If someone
claims that the tools do not
work, the answer is that may
be the tools do not work for
that person because he or she
has not yet developed a skill
in using the tools. We know
that skis work, so it is not
much use for a novice skier to
complain that skis do not
work. Mathematics works even
though some people may not be
very good at mathematics.
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Because creativity seems vague
and open - ended and because
you cannot be sure of a result
at a defined point, many
people have come to believe
that it is enough mess around.
For this reason, the precise
use of the tools may seem
strange to some participants
of creativity. Yet the tools
work best when used in a
precise way.
At any moment, know exactly
what you are doing.
Be aware of the next step
Follow the technique and do
not allow yourself to be
distracted.
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There are many instructors who
come new to the field of
creative thinking. They pull
bits from different programs
(and even blatantly steal
them), change them around a
bit, and offer themselves as
instructors in creativity.
Such people can do a lot of
damage and can turn people
away from creativity.
All the material in Lateral
Thinking has been tried and
tested over many years - in
some cases, over twenty-five -
years - with thousands of
students. There are today many
thousands of people in the
world who regularly use the
tools of Lateral Thinking,
sometimes with spectacular
results.
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The importance of the
systematic use of the Lateral
Thinking tools is stressed in
this introduction as well as
the course itself. The goal of
the course is mastery of the
tools. With many of the
examples, you may indeed fell
that you can generate a
wonderful idea without using
the tool at all. But this is
not going to be of much use to
you because the purpose of the
course is to develop skill in
the use of the tools, not just
to have some ideas about the
exercise. Until you master the
tools, it is not surprising
that your use of them will not
be very productive.
Being systematic about
learning and practicing tools
is essential. But even when
you have mastered the tools,
you will still get the best
results when you use the tools
systematically. Many people
who are highly creative in
their own fields have told me
that they still get the best
new ideas (the ones that
really surprise them) when
they use the tools
systematically.
A carpenter has a full set of
tools and uses them
systematically to make
beautiful furniture. Mastery
of the woodworking tools is
essential. So is the
deliberate use of the tools. A
carpenter does not flop about
and hope that things will
happen.
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This is a classical LATERAL THINKING
questionnaire. Try it then ask us
for the answers! Try these to loosen
up the old brain cells. Answers
follow, on request if needed! |
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1.There is a man who lives on
the top floor of a very tall
building Everyday he gets the
elevator down to the ground floor to
leave the building to go to work.
Upon returning from work though, he
can only travel half way up in the
lift and has to walk the rest of the
way unless It's raining! Why?
This is probably the best known and
most celebrated of all lateral
Thinking Puzzles. It is a true
classic. Although there are many
possible solutions, which fit the
initial conditions, only the
canonical answer is truly satisfying
2. A man and his son are in a car
accident. The father dies on the
Scene, but the child is rushed to
the hospital. When he arrives the
surgeon says, "I can't operate on
this boy, he is my son!" How can
this be?
3. A man is wearing black. Black
shoes, socks, trousers, jumper,
gloves, black hat. He is walking
down a black street with all the
street lamps off. A black car is
coming towards him with its light
off but somehow manages to stop in
time. How did the driver see the
man?
4. One day Kerry celebrated her
birthday. Two days later her older
twin brother, Terry, celebrated his
birthday. How?
5. Why is it better to have round
manhole covers than square ones?
This is logical rather than lateral,
but it is a good puzzle that can be
solved by lateral thinking
techniques. It is supposedly used by
a very well-known software company
as an interview question for
prospective employees.
6. A man went to a party and drank
some of the punch. He then left
early. Everyone else at the party
who drank the punch subsequently
died of poisoning. Why did the man
not die?
7. A man died and went to Heaven.
There were thousands of other people
there. They were all naked and all
looked as they died at the age of
21. He looked around to see if there
was anyone that he recognized. He
saw a couple and he knew immediately
that they were Adam and Eve. How did
he know?
8. A woman had two sons who were
born on the same hour of the same
day of the same year. But they were
not twins. How could this be so?
9. A man walks into a bar and asks
the barman for a glass of water. The
barman pulls out a gun and points it
at the man. The man says 'Thank You'
and walks out.
This puzzle claims to be the best of
the genre. It is simple in its
statement, absolutely baffling and
yet with a completely satisfying
solution. Most people struggle very
hard to solve this one yet they like
the answer when they hear it or have
the satisfaction of figuring it out.
KEEP THINKING!
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Management Consultants |
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